Canon 50mm 18 sweet spot
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Canon 50mm 18 Sweet Spot. For outdoor portraits with good smooth bokeh it is better to be in under f22. Sweet spot for the 50 mm 18 Mar 29 2008. Most of my photos with the 50mm II were taken at f18 or very close to it. Answer 1 of 9.
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Images are crisp and clear. This new lens is an ounce heavier than the previous EF 50mm f18 II lens because it adds a metal mount. I listened to the experts on this question but my own experience shows a different truth. Some say its f22 while others claim that the sweet spot is f4. If you are in a studio condition with lights and flashes then it would be wiser to narrowdown the aperture to f71 or f8. When I used to shoot Canon I loved the 50mm lens because it was sharp and had a fast aperture.
This new lens is an ounce heavier than the previous EF 50mm f18 II lens because it adds a metal mount.
When you are shooting between 18 and 28 you will get a lot of lens flares and your image will be milky if you are shooting in situations where there. Of course you get a nice bokeh but this isn. I was about 5 feet from the page for each shot. The tip of Michael Clark its very good DxO Mark its one of the best websites to indentify the sweet sopt of the lens. The Canon EF 50mm f18 II is light as a feather. 9 out of 10 points and recommended by.
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Two full stops from there would bring me to a sweet spot of around f71. It looks like the sweet spot is at 5. Similarly if your lens has a maximum aperture of f14 the sweet spot of your lens is located somewhere between f28 and f4. But shooting at a lower F-Stop like 18 will give you that sweet looking bokeh which we all love so there is a trade off. The sweet spot is the range of f-stops where your lens is at its sharpest while bokeh is having a beautiful blur in the out-of-focus parts of your image.
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This test was absolutely shocking to me. I listened to the experts on this question but my own experience shows a different truth. You are talking about two concepts that are not necessarily consistent here. Answer 1 of 4. F2 and f22 should work like a charm.
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Having said that all lenses are slightly different so its worth investigating your own lenses sweet spots for. Sweet spot for the 50 mm 18 Mar 29 2008. The sweet spot is the range of f-stops where your lens is at its sharpest while bokeh is having a beautiful blur in the out-of-focus parts of your image. On my lens the widest aperture is f35. Fujifilm XF 50mm F10 R WR sample gallery DPReview TV Canon EOS Rebel T8i 850D sample gallery.
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For outdoor portraits with good smooth bokeh it is better to be in under f22. Sony ZV-1 61 Sony a7C 26 Nikon Z5 22 Canon EOS R6 20 Fujifilm X-T3 16 Fujifilm X-T4 16 Panasonic Lumix DC-S5 15 Canon PowerShot G5 X Mark II 15 Sony Cyber-shot DSC-RX100 VII 14. Nikon AF-S NIKKOR 50mm f14G Lens 44695. I was about 5 feet from the page for each shot. For a lens that has a maximum aperture of f35 the sweet spot of your lens resides somewhere between f8 and f11.
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Its hard to give a blanket statement about the exact sweet spot for each lens because when you look up the chatter on the internet there are such varying statements about say the sweet spot for the aforementioned Canon 50mm f18. 7910 average of 112 review s Build Quality 5210 Image Quality 8410. Photographers buy 50mm prime lenses because they want to shoot at f18. Answer 1 of 4. The peak performance is F56.
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F2 and f22 should work like a charm. If I apply the 2-3 stop formula on my F28 70-200mm lens I end up with a sweet spot of f56-f8 if I want to shoot on a wider aperture and f11-f16 if I want to shoot at a narrower aperture. Rarely have I used a 50mm lens to shoot above f56. Billy in Brooklyn Regular Member Posts. Two full stops from there would bring me to a sweet spot of around f71.
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Reply Reply with quote Reply to thread Complain. This Canon 50mm f18 STM packs superb optics into a small inexpensive package. Canon G1 X II. This was clearly the sharpest aperture. On my lens the widest aperture is f35.
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Its almost always just f8 although it can be wider at shorter focal lengths on a long-range zoom. As you can see here blur index the 50mm is sharpest from f56 to f8. You hardly even notice it when attached to the camera. And this simple rule of thumb works with most every lens youll ever own. If I apply the 2-3 stop formula on my F28 70-200mm lens I end up with a sweet spot of f56-f8 if I want to shoot on a wider aperture and f11-f16 if I want to shoot at a narrower aperture.
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Sony FE 50mm f18 Lens 248. You are talking about two concepts that are not necessarily consistent here. But I really like the Photozone and it shows the most sharp image that you can get on the lens for example the 50mm f18 IIIn this image you get a MTF score according to your aperture which is easier than analyze the graphic. Here is the list of things you would require to get started with the sweet spot test. For the Canon 50mm ƒ14 the charts seem to indicate that the lenss best overall centre and edge performance lies between 45 and 63 - ie around ƒ56.
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Some say its f22 while others claim that the sweet spot is f4. When I used to shoot Canon I loved the 50mm lens because it was sharp and had a fast aperture. I listened to the experts on this question but my own experience shows a different truth. Sony Planar T FE 50mm f14 ZA Lens 1498. Once you know the mid-range aperture of your lens you can do an easy test to get your sharpest image.
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Sony FE 50mm f18 Lens 248. Billy in Brooklyn Regular Member Posts. For a lens that has a maximum aperture of f35 the sweet spot of your lens resides somewhere between f8 and f11. And this simple rule of thumb works with most every lens youll ever own. For outdoor portraits with good smooth bokeh it is better to be in under f22.
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Reply Reply with quote Reply to thread Complain. Rarely have I used a 50mm lens to shoot above f56. You are talking about two concepts that are not necessarily consistent here. On my lens the widest aperture is f35. There is some wiggle room in what counts as mid-range so anything from f71 to f10 will capture a sharp image.
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Nikon AF-S NIKKOR 50mm f14G Lens 44695. So with the one you are talking about sharp. I listened to the experts on this question but my own experience shows a different truth. Thats why its already Canons number-one best-selling lens. Fujifilm XF 50mm F10 R WR sample gallery DPReview TV Canon EOS Rebel T8i 850D sample gallery.
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Sharpness test of the Nikon 50mm f18 lens. Some say its f22 while others claim that the sweet spot is f4. The sweet spot is the range of f-stops where your lens is at its sharpest while bokeh is having a beautiful blur in the out-of-focus parts of your image. Its almost always just f8 although it can be wider at shorter focal lengths on a long-range zoom. Sony ZV-1 61 Sony a7C 26 Nikon Z5 22 Canon EOS R6 20 Fujifilm X-T3 16 Fujifilm X-T4 16 Panasonic Lumix DC-S5 15 Canon PowerShot G5 X Mark II 15 Sony Cyber-shot DSC-RX100 VII 14.
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Fujifilm XF 50mm F10 R WR sample gallery DPReview TV Canon EOS Rebel T8i 850D sample gallery. Once you know the mid-range aperture of your lens you can do an easy test to get your sharpest image. Sweet Spot on 50mm 18 II. If sweet spot is defined as the aperture at which my photos look the best then Id have to say f18. You are talking about two concepts that are not necessarily consistent here.
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Canon G1 X II. Sweet spot for the 50 mm 18 Mar 29 2008. Images are crisp and clear. On my lens the widest aperture is f35. I listened to the experts on this question but my own experience shows a different truth.
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Canon EF 50mm f18 II User Reviews. The aperture values of Canon 50mm f18 ranges between f18 and f22 therefore that sweet spot of the Canon 50mm f18 lens is somewhere between f56 to f8. 7910 average of 112 review s Build Quality 5210 Image Quality 8410. Canon G1 X II. However in practical terms while the lens shows edge softness wide open it is more than acceptable by ƒ2.
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The aperture values of Canon 50mm f18 ranges between f18 and f22 therefore that sweet spot of the Canon 50mm f18 lens is somewhere between f56 to f8. The sweet spot is the range of f-stops where your lens is at its sharpest while bokeh is having a beautiful blur in the out-of-focus parts of your image. Once you know the mid-range aperture of your lens you can do an easy test to get your sharpest image. For the Canon 50mm ƒ14 the charts seem to indicate that the lenss best overall centre and edge performance lies between 45 and 63 - ie around ƒ56. The sweet spot for most slow superzoom lenses is never wide open.
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